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      <image:title>Bio - Njelle (Njara) Hamilton</image:title>
      <image:caption>Dr. Hamilton is Associate Professor of English and Africana Studies at the University of Virginia. The author of Phonographic Memories: Popular Music and the Contemporary Caribbean Novel (Rutgers 2019), Hamilton specializes in 20th and 21st century Caribbean literary and cultural studies, with particular focus on narrative theory and fiction craft. Her essays on sound studies, trauma theory, and the physics of time have appeared in Anthurium, Journal of West Indian Literature, and Small Axe. Njelle is also a singer, songwriter, and multi-genre storyteller, performing and publishing as Njara del Mar. Her fiction has appeared in Centripetal, Caribbean in Transit, and Pree, and has won the support of fellowships and residencies from Oxbelly, Tin House, Pree, and Anaphora Arts. She is currently working on several projects that interweave scholarship and creative writing: a nonfiction book about Caribbean time-travel narratives; a collection of personal essays on music and memory; and a novel inspired by reggae and dub.</image:caption>
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      <image:caption>In the Fall of 2019, Professor Tsitsi Jaji taught a split undergraduate-graduate student seminar at Duke called “Sound and Double Consciousness” that centered around the question of how sound across media could help illuminate W.E.B. Dubois’s concept of “double consciousness.” To take learning into their own hands, student collectives developed a series of collaborative digital projects that focused on specific texts important to critical race and sound studies. Each project focused on one of three texts: Njelle W. Hamilton’s Phonographic Memories: Popular Music and the Contemporary Caribbean Novel, Shana Redmon’s Anthem: Social Movements and the Sound of Solidarity in the African Diaspora, and Zora Neale Hurston’s Tell My Horse. Check out the wonderful student work inspired by Phonographic Memories.</image:caption>
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